Wednesday, 28 March 2018

Merchant City Walk, Tuesday 20th March 2018

On an unusually mild and sunny March day, a group from FoGM did a walk 
from the Cathedral through the Merchant City.  In addition to seeing the 
historic sights and sites, such as the Tolbooth and Tron Kirk steeples, we 
saw the bright 2014 murals on the gable ends, and the pavement carvings 
at the Ramshorn and the City Halls.

Margaret Anderson

Visit to Cathedral 28th March 2018


      This was the second visit to Glasgow Cathedral for the Friends. Marian Maudsley introduced us to the Twentieth Century stained glass which had gradually replaced the Nineteenth Century glass. The sun was shining through the windows and showed them to perfection. There is so much to learn about them.


Anne Robertson walked us through the cathedral and ably covered 7 centuries of history. Tea and cake at Cathedral House was enjoyed by all.    
            

Tuesday, 27 March 2018

Degas from the Burrell Collection, 27th March, 2018


We were delighted to hear from Vivien Hamilton about the exhibition at the National Gallery in London: Drawn in Colour, Degas from the Burrell Collection. She concentrated particularly on the frames for the paintings and on the choice of frame for Le Foyer De Danse, which was purchased with help from The Friends.  The book about the exhibition is very comprehensive and contains an essay by Vivien on Burrell.

Wednesday, 14 March 2018

Friends Visit on 13th March 2018


A last minute change to the outing on 13th March took the group to the
Royal Highland Fusliers Museums at 518, Sauchiehall St. It is located in a building designed for
Thomas Annan by Honeyman, Keppie and Mackintosh in 1903 and includes
some CRM ironwork in the interior. Part of the building is also in one of the
original houses of Albany Place, the line of villas and terraces from the early
19th Century, still to be found between Renfrew and Sauchiehall Streets.
 The Museum of the Regiment, part of the Royal Regiment of Scotland since
2006, previously an amalgamation of the HLI and the Royal Scots Fusiliers
in 1959, houses a wide range of artefacts. These deal with all aspects of the life of
the regiment, campaigns fought in most parts of the world, including the
two World Wars and up to the 1st Gulf War, volunteer units, the life of
soldiers, medals, regimental silver, and so much more. It was really
fascinating, was much enjoyed and, as was commented, needs several
visits to take it all in.

Margaret Anderson

Tuesday, 27 February 2018

Natural History Societies and Museums in Glasgow


The recent talk by Richard Sutcliffe , the Research Manager of Natural History for Glasgow Museums , highlighted the close relationship between the numerous and varied natural history societies in Glasgow and the city's museums. This partnership , which has existed since the Victorian era , has been responsible for the many generous donations , both large and small ,which have been given by the societies' members to the museums , from the past to the present day ,making the Natural History acquisitions the largest part of Glasgow Museums collections. The significance , enthusiasm and influence of these natural history societies has lasted the test of time , with their membership , most importantly amongst the younger generation , increasing every year . 



Thursday, 15 February 2018

Inner City


On the 15th February, members of the FoGM executive attended Glasgow’s Gallery of Modern Art at the opening of Inner City, a group exhibition by Los Angeles-based artist Michael C McMillen and Glasgow-based artists Alberta Whittle and Mitch Miller.  
Inner City explores questions about the modern city, hidden communities and cultural identity. The exhibition takes its name from its centrepiece, a multimedia installation by Michael C McMillen – an amazingly detailed and atmospheric fictional depiction of a Los Angeles slum, which is on display for the first time in 15 years. Works by Alberta Whittle and Mitch Miller bring a local context to the dialogue. The exhibition is accompanied by a programme of related artist films.  
Born in Los Angeles, Michael C McMillen is a visual artist in the very widest sense. Often overlapping, his work involves sculpture, installation, printmaking and cultural anthropology. While building his reputation as an artist McMillen created props and special effects for the film industry, with his work featuring in movies including ‘Blade Runner’ and ‘Close Encounters of the Third Kind’. 
Reflecting the artist’s concerns about the lack of investment in infrastructure and social care in the United States in the 1970s, Inner City is a hyperreal model of an imagined rundown area of Los Angeles. The installation, first shown at the Whitney Museum of American Art in 1978, allows viewers to become immersed in the nightscape of a derelict neighbourhood, altering their sense of personal scale as they look at the miniature dystopian world. It was purchased by Glasgow Museums in 1996.  
 © CSG CIC Glasgow Museums Collection
Local artist Mitch Miller’s publically engaged artworks also explore hidden or forgotten communities in an attempt to make them more discernible. As a social researcher he has created an art form he named dialectogram. Often pen and ink on mounted board, Miller’s work is the process that goes into the drawing after an extended period of time working with a community. It is the relationship and connections he develops that dictate the content of the drawing. Three dialectograms depicting a community flat in Edinburgh, Clydebank Library and a bar on the Red Road Housing Estate in Glasgow feature alongside an unfinished work portraying Britain’s longest student occupation at   the University of Glasgow.  


Whittle’s practice is grounded in her Scottish-Caribbean heritage and her works reflect her interest in migrating cultures and how the culture of a multi-stranded society develops. Her videos and collage works questions postcolonial power as articulated through memory and history. Often gathering documentation from private and public performances in different site-specific locations, Whittle has developed an archive of images to transform into her collage and film work. The artist’s pieces often respond to the sea as site of labour, capitalism, surveillance and death, but also survival and the possibility for rebirth and transformation. Two digital films, three digital prints and a bronze cast are on show as part of Inner City.
Alberta Whittle and Mitch Miller will be GoMA’s Associate Artists throughout 2018. The Associate Artist programme has been made possible by generous support from the Friends of Glasgow Museums (FoGM).
 
Gareth James
Museum Manager ,Gallery of Modern Art and Kelvin Hall

                                                                         



Tuesday, 30 January 2018

Maggie Hamilton-A Forgotten Glasgow Girl

Our lecture in January 2018, was given by Joanna Meacock, Curator of British Art. She gave us a fascinating talk about this Glasgow Girl which covered not only her life as an artist  but also how she overcame the difficulties she faced in furthering her career as a female artist in the late 19th century.
An accomplished artist and embroiderer, she was the sister of an artist, James Whitelaw  Hamilton, and married an architect, A.N.Paterson ,brother of James Paterson. She was well known to the Glasgow Boys and was painted by Guthrie. Despite the demands of family life, she continued to paint and embroider and her exhibits were well received in Glasgow, Helensburgh and Edinburgh. It is thought that much of her art is in private collections.